Photo Tales: Golden Cathedral

Golden Cathedral

  • Day Hike: Nov 1, 2017, 12.2 mi round trip, 8 hours, max altitude 5613’, min 4456’
  • Egypt Bench Trail Head, Grand Staircase-Escalante National Monument

Today’s Photo Tales trail description destination is the Golden Cathedral in Neon Canyon. I hiked there in early November, 2017, in the endangered Grand Staircase-Escalante National Monument in Southern Utah.  I won’t go into the politics today, but let’s just say that I have an ‘Endangered Monuments’ gallery on my photo website.  25% of the price of any work sold, including all the images in this blog, will be donated to the Utah Diné Bikéyah and/or the Natural Resources Defense Council to support legal challenges in defense of Bears Ears and GSENM.

The Golden Cathedral hike has been high on my list since I first read Photographing the Southwest by Laurent Martrès (I highly recommend this series of books, geared towards nature photographers).  I skipped this hike on my first trip to Escalante in 2011 because I didn’t think our rental sedan could make it to the trailhead (boy was I right!).  The road and some of the hike is in the GSENM, and some is in the Glen Canyon National Recreation area.

Please note, this is not meant to be an accurate reference trail description with topo maps and coordinates.  There is an excellent trail description and map on the Grand Canyon Trust site.

Getting There

Devil's Garden Hoodoos
Devil’s Garden in Grand Staircase-Escalante National Monument.

The route involves a 10 mile drive down Hole-in-the-Rock Road, which is doable in a passenger car in dry weather.  The side road to the Egypt Bench trailhead is several miles of rutted, rocky ‘road’ that includes a stream crossing, deep sand, and slickrock obstacles.  Fortunately my Jeep Grand Cherokee rental was more than up to the task, and after a brief stop at Devil’s Garden to capture these unique hoodoos at sunrise, I arrived  at the  trailhead a little before 9am on a chilly but sunny early November morning.  Important tip: don’t try the road to Egypt Bench in a rental sedan! High clearance 4WD/AWD a must!

As I pulled up to the trailhead, I saw 3 millennials unloading their climbing gear from a Range Rover.  Egypt Bench trailhead gives access to several different popular technical hikes, but it turns out they were headed to the Golden Cathedral as well.  Their plan was to hike up above the Cathedral and rappel down through the pothole arches (natural bridges, technically).

Even when I hike with others, I tend to set a different pace.  I hike deliberately, stopping when I see an interesting viewpoint or composition.   Sometime I stop for a minute or two, sometimes for hours, often leapfrogging my hiking companion(s).  I have a small GPS satellite communicator in case I get into real trouble, but I am comforted by the sight of other hikers at the trailhead, who will at least be headed the same general way.  It turns out that aside from the Knut, Shelley and Gabe, I would see only one other hiker the entire day!

The Hike Begins

Golden Cathedral lies in Neon Canyon, which is on the opposite (East) side of the Escalante River from the Egypt Bench trailhead.  I have read about 2 different routes – one more ‘direct’ across the slickrock and down a dune toward the river opposite the mouth of Neon Canyon, and a slightly longer, more scenic route that descends to the river via Fence Canyon.  I always opt for the scenic route (see map here).

At first the trail is obvious, switch-backing down a slope from the ridge where we parked (+5600’), but after about 1/2 mile heading generally East (and about 500’ lost elevation), the path broadens onto slickrock, with scattered cairns roughly pointing the way.  We come to a wash (dry creek bed), and know from my research that I need to cross the wash, then skirt to the left (Northeast) to descend into Fence Canyon from the North.  My fellow hikers, who have farther to go to find the route into Golden Cathedral from above, decide to try the more direct route, so we part ways at this point.  As I hike generally Northeast, the cairns and footprints in the sandy spots get more infrequent.  I am confident that I am headed in the right direction, however, as I am tracking my progress on my phone via Backcountry Navigator Pro app,  which has gotten me out of a jam on more than one occasion.  I had previously downloaded the topo map for the area to my phone, so even though I am well out of cell range at this point, I can see how I am progressing on the map, and can leave digital breadcrumbs for my return, which is important, as I am not entirely sure I will be back before dark.

After about 20 minutes, I see my new friends angling back toward my path.  Having neither phone nor paper map, they have decided that perhaps sticking with me makes sense.  I am happy to have the company, so we can all figure this out together.  The big unknown for me is the river crossing, which I have read about, but for which I have no visual clues.  How deep will it be where we cross?  Shin deep?  Thigh deep?  We shall see.

Photo Tales: Fence Canyon
Golden Cottonwood Trees in Fence Canyon

About 1.6 miles into the hike, we walk through a notch in the rocks, and Fence Canyon begins to open to our right.  We are spread out along the ‘trail’, each of us working our way along the rocky canyon edge at various paces, to try to find a route down.  After a couple of missteps, following cairns and footprints that lead to steep overlooks with no obvious way down, someone eventually sees  an obvious point to the Northeast, beyond which we can see what we think is the mouth of Fence canyon where it meets the Escalante.  Scrambling down to the point, we find a series of switchbacks down into Fence Canyon, losing another 500’ to the canyon floor (~+4600’).  One of the reasons I chose this hike this time of year is that the leaves of the cottonwood trees turn a glorious golden yellow, so I stop to photograph the backlit trees that line Fence Canyon.  I don’t dwell too long, though, as I know there will be more cottonwoods in Neon Canyon, and I am anxious to catch up with my new friends before we cross the river.

Crossing the Escalante River

On the floor of the canyon an obvious narrow trail winds through a dense underbrush of reeds, hopping across a narrow stream in two places.  Soon the reeds are joined and overtaken by a dense thicket of tamarisk trees, which create a tunnel of sorts on either side of the winding trail, somewhat obscuring the cliffs that line the canyon. I hear voices ahead, and I turn a corner and come upon Shelley and Knut, stopped short of a rushing, muddy torrent of water, perhaps 20 feet across, its depth obscured.

I have to admit, if I had been hiking alone, I would have been rather intimidated by the sight of the rushing river.  In my head it was a wide, lazy river I had to cross – this looked entirely different.  My dry bag backpack was left home in Brooklyn, and of course camera gear and water do not mix!  Gabe was already in the middle of the river, wearing a dry suit, wading across with one end of a climbing rope, attempting to string up some sort of line we could use to cross the swift and muddy river.  But he managed to get across the river rather easily, with the water coming just above his knees at the deepest point.  We all had a good laugh, as the river suddenly seemed much more tame.  I took off my boots and socks, unzipped the legs of my zip-off pants, and crossed the river, with my hiking pole in one hand, probing the muddy river bottom, and my boots in the other, making sure my backpack full of camera gear was well up on my back, just in case.  The water was cool, but not cold, and the most difficult part of the crossing was scrambling up the far bank.

Big Horn Sheep Petroglyph
Two-headed big horn sheep petroglyph

From that first crossing, the trail through the reeds and tamarisk snaked down the Escalante River canyon.  The mouth of Neon Canyon lies about ½ mile downstream from the mouth of Fence Canyon, and to my surprise, the river meandered quite a bit, from one edge of the canyon to other, necessitating a total of FIVE crossings of the Escalante River in each direction, sometimes knee-deep, sometimes thigh deep (waist deep for Shelley).  By the third crossing, I just left my boots on, squishing my way thru the tamarisk beyond, as the day had warmed considerably.    We worked out way downstream, backtracking once when I chose the wrong trail.  The canyon then hooked toward the East.  There along the north wall of the canyon is a fairly large petroglyph panel.  Mixed with the pre-Columbian, Anasazi rock art are more contemporary images, including relatively fresh cartoonish outlines of a pair of men boxing, and a man on horseback in what appears to be a ranger hat, with dates scrawled from the 1890s.

Neon Canyon

Cottonwood Tree in Neon Canyon
A dramatic looking Cottonwood Tree in Neon Canyon

A few hundred yards farther East, the mouth of Neon Canyon opened up to the North.  This narrow, steep-sided canyon is appropriately named, as the tall, vivid red rock walls of the canyon glowed with reflected late morning light, and the cottonwood trees were tall, graceful, and full of golden leaves, backlit beautifully in places.  My companions shortly left the trail, climbing to the left to find their way above the Cathedral and the rappelling spot.  I continued alone, stopping frequently to photograph along the way, before arriving at the Golden Cathedral just about 1pm.

The Golden Cathedral

Photo Tales: Golden Cathedral
Golden Cathedral Potholes

As a photographer, sometimes I am forced to share a special location with tourists and other photographers.  Unique places like Delicate Arch, Bryce Point, Antelope Canyon, the Virgin Narrows are often crowded.  Photographers are as common as bison and bears in Yellowstone and Yosemite.  Sometimes, though, you reach your destination with the feeling that you have just lucked into a private audience with nature.  Recently for me, Indian Head in the Adirondacks, the Great Gallery in Horseshoe Canyon, Druid Arch in the Needles, and a sunrise on Dream Lake all qualify.  The Golden Cathedral is one of those places.  For two hours, while waiting for the rappellers to appear above me, I had this unique spot to myself.

On the way in, the wind had been whipping thru the narrow canyon, thrashing the cottonwood trees to and fro.  But here at the end of the trail, there was barely a ripple in the pool below the grotto.  As the afternoon wore on, the sun shifted lower and toward the southwest, coming up Neon Canyon to reflect off the pool of water below the two natural bridge potholes that at times pour water into this glorious overhang.  The reflected sun worked its way across the stone face, until it reached the openings, casting rippling refractions of light on the walls and ceiling of the grotto – truly magical.

Golden Cathedral
Golden Cathedral in Neon Canyon.  Canon EOS 5D Mark iii, 16-35mm f/4 @ 16mm,  ISO 800, f/16, 2 image HDR (1/25 & 1/100 sec)

After eating my lunch in the shade of a cottonwood, I set to work.  I shot primarily with my widest lens  (Canon EF 16-35mm f/4) and a tripod.  With the lighting conditions slowly shifting, I worked my way toward the side of the pool, and turning my tripod around, I captured the photo to the left.  The high contrast between the shadows of the grotto and the bright sky and sun on the trees necessitated using HDR.  I captured three, but only used two images (shutter speeds 1/25 sec & 1/100 sec) to create the final image. With the light reflecting onto the ceiling, and the cottonwoods backlit beautifully, it is of my favorite image captures of the year, and I have already sold a couple of prints! (Find it here.  Hint: it looks fantastic on aluminum!).  Be sure to read my earlier blog post about my Top 40 Photographic Hits of 2017.   All images in that gallery are 25% off through Feb 1!

Company From Above

Photo Tales: rappeller in Golden Cathedral
Kelley rappels into the Golden Cathedral

About this time, I heard voice from above, as my new friends had found their way into the slot canyon above.  Their timing was excellent, because they were perfectly illuminated by the sun as they rappelled in.  At times they each had two distinct shadows, one direct, and one from the sun reflected in the pool.  Their ropes made slight ripples in the pool, adding to the magic happening on the walls of the grotto.

Rappelling into Golden Cathedral
Singer/Songwriter Gabriel Kelley is well-lit as he rappels into the Golden Cathedral

It was a real bonus to have these three as action subjects to photograph.  I don’t often photograph people in nature, but sometimes it really helps to give a sense of scale to the image.  I am not a technical climber, so I can only imagine what it must have been like to see the Golden Cathedral for the first time as you rappel down into it!

 

Return Trip

The return trip was fairly uneventful.  Retracing our steps was fairly easy, even once we were back on the slickrock.  I had my phone in case we got off course, but the ridge where the parking lot waited was visible once we got past the river crossings and out of Fence Canyon.  The hike up was quite a slog, especially the last mile or so, which included 500′ of switchbacks at the end of a 12.2 mile hike.  That was longer, with more elevation gain (1200’+) than some of the descriptions I read.  The entire round trip hike took about 8 hours, including a 2 hour stop at the Golden Cathedral. We arrived before the sun set, but it was dark by the time we got back to Escalante, and had a lovely meal of pizza and beer at the Escalante Outfitters Cafe, with great memories and new friends.

This is the first of what I hope will be several Photo Tales descriptions of some of my favorite images.  Do you have an image of mine you’d like to see on Photo Tales?  Click the Contact Me button above to let me know.  I love feedback!

 

Top 40 Photographic Hits of 2017

I grew up in the 70’s listening to Casey Kasem on Saturday afternoons, so I’m a sucker for a good old Top 40.  In that vein, in lieu of an end of the year newsletter, today I posted my personal best photos of 2017 in my annual Top 40 Photographic Hits from 2017 Gallery.  See details below on my Top 40 Sale!
Once again, my travels took me to some pretty amazing places in 2017: two visits to Moab, Arches & Canyonlands, my first experiment with underwater photography coral reef off Roatán, a huge summer camping trip out west to five national parks, Autumn trips to Vermont and North Carolina, plus a special trip to Antelope Canyon and Grand Staircase-Escalante National Monument.

Moab, Arches, Canyonlands & Bears Ears

Best Photos of 2017: Tower Ruins - Bears Ears Naitonal Monument
Snow-covered remnants of an Anasazi tower ruin on the rim of Mule Canyon in the Cedar Mesa area of Bears Ears National Monument (Jan 2017)

As I have every year since 2011, I spent a few weeks in Moab, Utah, exploring the photographer’s paradise that is Southeast Utah.  We are really lucky to own vacation rental property in Moab,  so that has become a second artistic home for me, typically in the off-season.  In January I made a brief foray into the newly formed, and more recently endangered, Bears Ears National Monument.  I have only begun to briefly scratch the surface of the thousands of natural and cultural wonders to be found within the boundaries of the Monument, and look forward to exploring more in the years to come.

The president has issued an order abolishing two of our most cherished public land areas: Utah’s Bears Ears and Grand Staircase-Escalante National Monuments, potentially exposing 2 million acres of unique wilderness, and 10’s of thousands of cultural sites to drilling and mining.  I have created a Endangered Monuments Gallery.   It highlight some of the beautiful historical and natural resources that are now endangered by losing protection as National Monuments. I promise to donate 25% of all sales from this gallery to Utah Diné Bikéyah or the Natural Resources Defense Council, to support legal challenges in defense of these unique areas.

Underwater and Overwater photography in Roatán, Honduras

Best Photos of 2017: Blue Tang Crossing Roatan Reef
A school of blue tang crossing the reef near the Iron Shore off Roatan’s West Bay Beach. (April 2017)

I got to make my first open water dive, and played a bit with some underwater photography on our April trip to West Bay Beach on the island of Roatán, Honduras.  Unlike its larger cousin in Australia, the coral reef off Roatán is alive and well, and full of marine life!

I captured this photo from a platform on a cliff above the reef.  I was originally shooting wide angled shots of the extensive reef and turquoise waters, but when I looks at screen, I noticed a dark shadow that moved from one photo to the next!  Sure enough, there was a school of Blue Tang swimming nearby, so I quickly swapped my lens for a telephoto and captured the shot above.  The swirls of refracted light in the water remind me of Van Gogh’s Starry Night.  Plus it’s a photo of Dorys!

National Parks Grand Tour Camping Trip

Best Photos of 2017: Iceberg Lake in Glacier National Park
Iceberg Notch and the Ptarmigan Wall, Glacier National Park, Montana (June 2017)

This was a trip I had been dreaming about and planning for many years.   This summer we packed up our camper-trailer and drove West from NY on a long summer camping trip to the Mountain West.   We visited 5 national parks in North Dakota, Montana, Wyoming and Colorado, 4 of which were new to me!  We first camped at Many Glacier Campground in Glacier National Park, where we had camped in a tent 10 years earlier.  This time the mid-June snowpack kept me from hiking to some of the higher elevation places I had hiked to before, like Grinnell Glacier, but the waterfalls were glorious in their Spring melt, and I managed 9 or 10 hikes in 8 days, the last of which was an awesome ranger-led hike to Iceberg Lake, which was just beginning to thaw (right).

Right Place, Fourth Try

Occasionally as a photographer you get lucky – right place, right time.  Most of the time it takes careful planning, some amount of luck, and often a certain amount of stubbornness.   In our 8 days in Glacier, I visited various parts of Swiftcurrent Lake four different evenings to shoot the sunset.  Each of the first three afternoons, the clouds looked to be setting up nicely for a lovely evening, only to have the sun sink behind a think bank of clouds that filled in over the mountains to the West.  Finally, on a windy and bitterly cold evening, I parked my tripod on the deck of the Many Glacier Hotel, and captured the image below

Best Photos of 2017: Swiiftcurrent Lake Sunset Panorama
Colorful sunset clouds over Grinnell Point and Mt. Gould on Swiftcurrent Lake, in Glacier National Park, Montana. (June 2017)

Magic in Yellowstone

Best Photos of 2017: Grand Prismatic Spring
The vivid rainbow colors of the Grand Prismatic Spring in Yellowstone National Park, Wyoming (July, 2017)

While I don’t necessarily recommend visiting Yellowstone for July 4th week, nonetheless I experienced some serious Yellowstone magic on my first visit (the trick was to get up early to beat the crowds!)  I have never seen so much wildlife: bison, pronghorn, elk, ospreys, even a lone wolf.  The wildlife was outdone only by the natural wonders of Yellowstone: geysers, huge waterfalls with rainbows more predictable than the geysers, and a seemingly infinite variation of thermal water features.  My favorite was the Grand Prismatic Spring.  Ever changing in colors and moods, it was truly one of the most vibrant things I have witnessed in nature.

Autumn Color in Four States

Best Photos of 2017: Colorful Autumn Collage
A colorful collage of Autumn leaves reflected in the ripples of the West Branch of the Little River in Stowe, Vermont. (Oct, 2017)

It was a challenging Autumn for photographers.  A weirdly cool stretch in late August followed by a hot September played havoc with the trees.  It was not the best fall foliage season.  Nonetheless, I was able to capture some interesting fall color shots, on a foggy mountain lake in the Catskills, on the Little River outside Stowe, Vermont, surrounding waterfalls near Highlands, NC, and in Neon Canyon in Grand Staircase- Escalante National Monument in Utah.

Antelope Canyon Swirls of Light and Stone

Best Photos of 2017: Depths of River Stone
Twisting, striated layers of red sandstone walls of Upper Antelope Canyon, Navajo Tribal Park. (Oct, 2017)

To be honest, I had been avoiding Antelope Canyon.  We’ve all seen the vivid shots in magazines and coffee table books – breathtaking.  I had visited other slot canyons, and loved the experience and got some great shot.   I had buyers come into my art fair booth to request Antelope Canyon.  So why my reticence?  I had heard stories and read accounts about how overcrowded and dusty Upper Antelope Canyon could be, with herds of tourists in the narrow canyon.  I envisioned huddling over my tripod in the dark, trying to protect my gear from dust, and rushing to get a shot off before the next wave of tourist came around the corner.  Well, I am glad I finally went, and I am sure I will visit many more times in the future.  Our guide on the photo tour did a fantastic job of keeping the crowds away, and pointing out the changing light, and I came away with several keeper images that I imagine will be nest sellers at future festivals.  Only two images made the best of 2017 list, but there easily could be five.  Truly a wonder of the natural world.  Just, wow!

I could go on and on about each of these 40 photos.  I will go into more detail about some of these images and adventures in blog post to come, but let’s get to the exciting part – the sale!

Top 40 Hits of 2017 Sale – all sizes and formats 25% Off!

During the bleak winter period, I always like to share a bit of color to brighten everyone’s day.  To make this event even brighter, for the rest of January all of my Best of 2017 images are on sale!  Matted photo prints, canvas gallery wraps, and glossy aluminum prints in all sizes are all 25% OFF!  This sale only applies to my Top 40 Photographic Hits of 2017 Gallery.  So come on in and take a look.  Even if you don’t buy anything now, let me know which ones you like best, especially on social media – I love feedback!

No codes necessary!
Choose you favorite(s) from the website, click the “Add to Cart” button below the photo, and choose a size and format from the drop down menu.
Sale ends 11:59pm EDT Wed, Jan 31.

Please Leave Me Feedback!

As I try to figure out which of these Best photos of 2017 images might be most interesting to my buyers in the coming year, it is crucial that I get some feedback from my fans and fellow photographers.  I would love to hear from you, either by leaving comments here on the blog, leaving comments on the website page of your favorite photo, or on my Facebook or Instagram feeds, where you will find most of these images from post over the past year.

I hope you enjoy your trip through my 2017 that was.

Colin

 

 

 

How to Photograph Waterfalls Like a Pro

People often ask me “how do you capture the water like that?”  Perhaps you too have seen waterfall photos with the water flowing like a silky dream, and wondered how the photographer got that look.  This post will focus on waterfalls photography, including my tried and true techniques for capturing photos of both serene silky cascades and powerful torrents.

Shoot from a tripod

Cullasaja Falls
Cullasaja Falls – Highland, NC 38mm 1.3 Sec f/16 ISO 100

No matter how steady your hand, and how good your camera or lens claims to be at Image Stabilization (IS*), the longest you can possibly expect to hand hold your camera without obvious shake and blur is 1/15th to 1/8th of a second, and probably less.  Since moving water in waterfalls requires anywhere from 1/10th of a second up to several seconds to get that silky water effect, you simply must use a tripod (or a flat rock) to steady your camera for those long exposures necessary for waterfalls photography.  And since you are shooting on a tripod, make sure to also eliminate camera shake from itchy shutter fingers by using a remote shutter release or internal camera timer, and live view or mirror lockup to remove shutter shudder.

*(VR) Vibration Reduction for you Nikon shooters, (OS) Optical Stabilization for Sigma lenses

Shoot in Manual or Shutter Priority Mode

Digital cameras are smart, but they won’t intuitively know that you want to shoot a long exposure unless you tell it to.  Plus, in fully automatic mode, some cameras know you can’t hand-hold a long exposure, so they often won’t even allow you shoot a long exposure unless you are in Aperture Priority (Av), Shutter Priority (Tv) or fully Manual (M) mode.  Every camera is different, obviously, so get out your camera manual and play around a bit to get the hang of the different modes.  It really is worth spending some time, as moving from Automatic or Program mode to manual is the biggest hill to climb to get from novice to  photographer.  Going completely manual requires you to read your camera’s light meter to get the appropriate exposure, but using shutter or aperture priority does that work for you.

Keep in mind that for digital cameras there are 3 different variables that each affect the other: Shutter speed, aperture & ISO.  For now, shutter priority is a good choice for waterfall photography because the shutter speed makes a huge difference in the look of the final image.  If you want to ‘slow down’ the water to make it silky, drop the ISO as low as you can, which in shutter priority mode will make the aperture smaller (the f-stop will increase), giving the photo greater depth of field.

Sidebar: There are lots of advantages to shooting longer exposures:  Long exposures => smaller aperture => greater depth of field + lower ISO => less noise/grain + silky water

Experiment with shutter speed

Waterfalls photography - shutter speed test
1/200 sec f/6.3 ISO 2500

Now that we’ve mastered how to get cool, silky shots, let’s mix things up, shall we?  As we’ve already discussed, the shutter speed can make a huge difference in the look of you image, even if the exposure is exactly the same.  Sometimes, especially when the subject is a large waterfall, with a lot of water, I play with shorter exposures to capture the power of a strong falls.  Let’s take a closer look at several images of the same falls, taken in succession on the same rainy morning.

Waterfalls photography - shutter speed closeup
Detail at 1/200 sec

Notice in the detail of the first image, which was taken at 1/200th of a second shutter speed.  See how the flow of water, which in real-time looks like a continuous stream of water, is in reality a collection of individual water drops.  Fascinating, right?  At longer shutter speeds, generally at least 1/10th of a second, these drops blend together, giving the illusion of silky, continuous water.  I find that my favorite silky waterfalls shots are usually between 1/2 sec and 2 seconds long, and to capture the majesty and power of a big waterfall in full flood, perhaps 1/100 to 1/250 sec.

Waterfalls photography - shutter speed test
1/30 Sec f/11 ISO 1600
Waterfalls photography - shutter speed test
1/5 Sec f/16 ISO 100
Waterfalls photography - shutter speed test
2 sec f/22, ISO 100

 

 

 

 

 

 

 

I make a point, after I have captured the image of a falls that I really like, to switch things up and shoot 2 or 3 shots with a much faster (or slower) shutter speed, to see what comes of it.  Using RAW files, you can always adjust color temperature and exposure after the fact, but there is no magic button in Lightroom or Photoshop to separate out the individual droplets of water (or blur them together), so make sure you capture some variations in the field to give you more options.  It all comes down to individual preference.  Take the two images of Havasu Falls below, for instance.  They have almost identical exposures and composition by keeping the F-Stop high(aperture small), and inversely adjusting the ISO and shutter speeds.  I have sold large prints of both, because the buyers had very different (and personal) reactions to the two images.  The higher shutter speed may feel more real to one viewer, but some folks really prefer the silkiness of the slower shutter speed.

Havasu Falls Turquoise Canyon Oasis
Havasu Falls – 1/100 sec f/13 ISO 2000
Grand Canyon Shangri-La
Havasu Falls – 1/3 sec f/16 ISO 100

 

Shoot on a cloudy or rainy day, if possible

This one may seem counter-intuitive.  As you can see from the images so far, water coming over a falls gets churned up, and creates highlights that often are much brighter than the surrounding dark wet rocks or leaves – in rafting it’s called whitewater for a reason.  If there is sun directly on the falls, the highlights will jump off the right side of your histogram, or if you compensate the exposure for the brightly lit white water highlights, you will lose details in the shadows.

If the day is sunny, or party sunny, then try to time your arrival at a waterfall for when the falls are in shade, with little or no direct sunlight on the highlights.  Bounce light can help fill in the shadows the same way a bright overcast day will, and you will still have less contrast.  If you are shooting in shutter priority, you may find that you need to use exposure compensation by 1/3rd to a full stop to expose for the shadows, or use Auto Exposure bracketing to insure the right exposure, especially under shifting lighting conditions (think partly cloudy with fast-moving clouds).  My default bracketing is three images: 0 and ± 2/3rds of a stop, unless I think the contrast is so high that HDR is necessary.

HDR can be very difficult when shooting waterfalls.  Moving objects give HDR software trouble, and when the water changes shape, and/or leaves on nearby trees or flowers move during long exposures, the results can be disappointing.

Use a Circular Polarizer Filter

Like many nature photographers, a circular polarizer is usually on the end of my lens.

I used a circular polarizer filter here to cut down glare on the wet rocks, and to reveal the rocks below the water.

A circular polarizer filter is incredibly useful in and around waterfalls: to take the glare off of wet rocks, dial-up reflections in a pool, or reverse that to reveal the rocks below.  When shooting up at a falls from below, it can make blue skies bluer, or give cloudy skies more contrast.  It has the pleasant side effect of dropping the amount of light that reaches your lens by a stop or two, making longer exposures, and/or smaller apertures, possible.  Sometimes I add an ND filter to the mix if I need to ’slow down’ the water even more.

Using Water as a Composition Element

The usual rules of composition apply: ‘If you see something pretty, throw something in front of it.’

Upper Buttermilk Falls, Ithaca, NY
Water Carved Pools and Reflections – 5 Sec. f/16 ISO 100

Often the best way to show water movement is to have a solid foreground or mid-ground object (like boulder or log) that stays solid as the water flows around it.  With a large falls, try zooming in enough to have water entering and leaving the frame, which can give a lovely sense of capturing a moment in time and space, for a creek that starts far upstream and continues beyond.  Many waterfalls are not just one fall.  Try shooting from below, and using a smaller cascade as a foreground for the main event.  In the above photo on Upper Buttermilk Creek in Ithaca, NY, I noticed the lovely tree reflection in the puddle, and set up my tripod very close to it, using a very wide-angle lens (Canon 7D with an EF-S 10-22mm) to capture the stillness of the pool along with the curving sweep of the falls.  A circular polarizer brought out the reflection.

Try Black and White

Kaaterskill Falls Winter
Kaaterskill Falls Frozen Amphitheater – 28mm 1.6 sec f/18 ISO 100

Waterfalls can make excellent black and white images.  There is something timeless about waterfalls photography that works well in a medium that was mastered at the end of the 19th and the first half of the 20th centuries.  It is also a way to solve a problem: waterfalls are generally at their most dramatic in April or May, when Spring rains combine with snow melt to give waterfalls their biggest flow, but when buds are just starting to appear on trees, and flowers are not yet present to add that pop of color.  As you can see, they work for winter waterfall shots as well.  A future blog will touch on my favorite technique converting color digital images into black and white masterpieces.

Sometimes you get Rainbows

Yellowstone Lower Falls Rainbow
Lower Falls Rainbow in Yellowstone National Park – 108mm 1/125 sec f/18 ISO 400

Most people who visit Yellowstone National Park use apps to try to predict when geysers will erupt, but if the sun is out, rainbows at Lower Falls in the Grand Canyon of the Yellowstone are even more predictable!  Rainbows in waterfalls are generally only formed when there is alot of mist and spray kicked up by a powerful falls, with the angle of light just so (mid morning in July, depending on which viewpoint you shoot from).  While a few of the highlights in the water are a bit blown out, this sunny photo worked out because the cliff rocks are also brightly lit (and a lighter, yellow stone).  Here the exception proves the rule.  I used my trusty circular polarizer to maximize the color intensity in the rainbow.

Conclusion

Thanks for reading my first blog post!  The plan is to drop one of these each week.  Future blogs will be a mixture of instructional blogs like this one, details of my hiking adventures to some fantastic places, and the day-to-day realities of my photography business.

Please subscribe to the blog at the right, leave me feedback about what you thought of this post, visit my Photo Galleries at LightandPhoto.com, and consider joining one of my upcoming photo workshops, or booking a custom photo tour.

Want to put all of these techniques into practice?

Sign up for my upcoming Weekend Catskills Waterfalls Workshop May 4-6.

Details Here.